Trivium

H19 cm, L18,5 cm, P5 cm
Meranti, black ink, marble, stainless steel

At the intersection of three forms, Trivium explores balance and the search for inner unity. Two volumes anchored in the base support a suspended form, connected by three stainless steel rods. Between these elements, a perfect tension is created, a dialogue between anchoring and elevation, weight and lightness, stability and movement.
Wood, metal, and stone come together in the same construction, each finding its place, its function, its own voice.
In Latin, Trivium means “crossroads of three paths.” In medieval tradition, it also referred to the three arts of language—grammar, dialectic, and rhetoric—the foundations of thought and expression.
This double meaning resonates with sculpture: when three elements meet, a language is formed, silent but legible. The stainless-steel rods become lines of writing, connecting the volumes like signs on a page.
Trivium speaks of this point of convergence where matter becomes word, where forms find their coherence, where balance becomes language. It is a search for completeness: that of a fair dialogue between opposing forces, between the anchoring of reality and the momentum of symbolism.